Publications by the Art Gallery

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350 Years of Art and Architecture in Maryland

Essays by Elizabeth B. Johns, Josephine Withers, David P. Fogle, John W. Hill, Mary A. Dean, and William Voss Edler III, 1984. 248 pp. Published by The Art Gallery, University of Maryland.

ALIGNED Paintings by Tobi Kahn

Essay by Megan Rook-Koepsel, 2011. 22 pp. Published by The Art Gallery, University of Maryland.

American Pupils of Thomas Couture

Text and catalogue by Marchal E. Landgren, 1970. 60 pp. Published by the Department of Art and The Art Gallery, University of Maryland.

American Tapestry Weaving Since the 1930s and its European Roots

Essay by Courtney Ann Shaw, 1989. 48 pp. Published by The Art Gallery, University of Maryland.

Anonymity and Identity

Essays by Murray N. DePillars, Steven S. High, Leslie A. Brothers, and Dorit Cypis, 1993. Artists include: Genevieve Cadieux, Thomas Florschuetz, Gary Hill, Annette Messager, and Holly Wright. 40 pp. Published by the Anderson Gallery, Virginia Commonwealth University.

Art Faculty Collects

Essays by Jennifer A. Becker, Barbara D. Chandler, Carol S. Farra, William E. Rhodes; preface by Arthur R. Blumenthal, 1984. 48 pp. Published by The Art Gallery, University of Maryland.

Art of the Mendé

Published by The Art Gallery and Department of Art, University of Maryland.

Art, Nature, Society

Essay by by Terry Gips, 1993. 7 pp. with 7 black and white reproductions. Published by The Art Gallery, University of Maryland.

Awards for Excellence in International Cultural Interchange

Presented to Robert Rauschenberg and Shoichi Ida. In collaboration with New American Paperworks exhibition. Text by Jane M. Farmer, Robert Rauschenbery, and Shoichi Ida. 12 pp. Published by The Art Gallery, University of Maryland.

Chiaroscuro: Highlights and Shades of Six Photographers (Abbott, Adams, Bernhard, Cunningham, Strand, & Weston)

1999. 16 pp. 12 black & white duotone illustrations. Published by The Art Gallery, University of Maryland.

Chim: The Photography of David Seymour

By Inge Bondi. Introduction by Henri Cartier-Bresson. Foreward by Cornell Capa. 1996. 192 pp. Published by Bulfinch Press.

Chinese Art From the Ferris Luboshez Collection

Text and catalogue by Harriet McNamee, 1972. 94 pp. Published by the University of Maryland Department of Art

Clarice Smith: ReCollection 1978-2003

Essays by David Bruce Smith and Lenore D. Miller, 2003. 55 pp. Published by The Art Gallery, University of Maryland.

Close Enough: Photography by David Seymour (Chim)

Essay by Terry Gips, 1999. 48 pp. 28 black & white duotone illustrations. Published by The Art Gallery, University of Maryland.

David C. Driskell: Fragments of Color

Exhibition catalogue, published by The Art Gallery, University of Maryland, 48 pages.

Dreams, Lies, and Exaggerations: Photomontage in America

Cynthia Wayne, 1991. 92 pp. Published by The Art Gallery, University of Maryland.

Essays by Henry Niese and Gerald Nordland, 1979. 68 pp. Published by The Art Gallery, University of Maryland.

From Delacroix to Cezanne: French Watercolor Landscapes of the 19th Century

Text by Alain de Leiris; catalogue by Carol Hynning Smith, 1977. 207 pp. Published by The Art Gallery, University of Maryland.

George Luiz: Brazilian Painter

Curated by Maryland Partners. Statements by Mirian A. Kazanjian, William E. Kirwan, Dr. James S. Atwell and George Luis. One color reproduction and two black and white. 6 pp. Published by The Art Gallery, University of Maryland.

George O’Connell: Prints / 1949-1968

Texts by George Levitine and William H. Gerdts, 1968. 6 pp. Published by The Art Gallery, University of Maryland.

Hommage À Baudelaire

Catalogue by Ellen Eisenberg with essays by Alain de Leiris, Melvin Zimmerman, Eda Mezer Levitine, and Francis V. O'Connor, 1968. 95 pp. Published by the Department of Art and The Art Gallery , University of Maryland.

Just Above Water: Michael Platt

Essay by Rex Weil, 2006. Published by The Art Gallery, University of Maryland.

Kris Chau Brown Eyes, Black Ink

Essays by John Shipman, 2011. 16 pp. Published by The Art Gallery, University of Maryland.

linn meyers / here today

Exhibition catalog with full color illustrations, 16 pp. with fold out image. Interview of Linn Meyers by Jefferson Pinder, 2009. Published by The Art Gallery, University of Maryland.

Marca-Relli Collage and Gottlieb Scuplture

Introduction by Alain de Leiris and Marchal Landgren, 1970. 10 pp. Published by the University of Maryland Department of Art.

Maurice Prendergast: Art of Impulse and Color

Essay by Eleanor Green; chronology by Ellen Glavin S.N.D., and Eleanor Green; catalogue by Eleanor Green and Jeffrey R. Hayes, 1976. 173 pp. Published by the Department of Art and The Art Gallery, University of Maryland.

Modernity Stripped Bare: Undressing the Nude in Contemporary Japanese

Photography Essays by Elizabeth Johnson, Marco Bohr, and Naoko Maeshiba, 2011. Artists include: Yurie Nagashima, Ryoko Suzuki, Ryudai Takano, Riichi Yamaguchi, and Manabu Yamanaka. 57 pp. Published by The Art Gallery, University of Maryland.

Narratives of African American Art and Identity: The David C. Driskell Collection

Principal essay, Juanita Holland; other contributors include Sharon Patton, Keith Morrison, Richard Powell, and Allan Gordon 1998. 192 pp. 100 + color illustrations and many black & white. Published by Pomegranate Press.

Nonconformists: Contemporary Commentary from the Soviet Union

Essay by Edith A. Tonelli and Margarita Tupitsyn, 1980. 60 pp. Published by The Art Gallery, University of Maryland.

Fully illustrated exhibition catalog featuring Steve Bradley, Susie Brandt, Edward Brown, Laura Burns, Carolyn Case, Bill Crowley, Laure Drogoul, Julie Jankowski, Michele Kong, Stephanie Robbins, Jann Rosen-Queralt, Cornel Rubino, Lynn Silverman, Denise Tassin, and David Zimmerman; with essays and artist entries by Jennie A. Fleming, Jennifer E. Beck, and Lyrica Taylor, 2007. 48 pp. Published by The Art Gallery, University of Maryland.

Persian Visions: Contemporary Photography from Iran

Fully illustrated exhibition catalogue with essay by Robert Silberman. Softcover, color, 67 pp.

Photography Here and Now: 15 Artists from the Washington-Baltimore Area

Text by Eleanor Green, 1972. 35 pp. Published by the University of Maryland Department of Art and The Art Gallery.

POETRY BROADSIDE: David Hughes/Stanley Plumly Horse in a Cage

Illustrated broadside of Stan Plumly's poem "Horse in a Cage" by artist David Hughes. 2011 Giclee print on archival paper.

POETRY BROADSIDE: David Hughes/Stanley Plumly Infidelity

Illustrated broadside of Stan Plumly's poem "Infidelity" by artist David Hughes. 2011 Giclee print on archival paper.

POETRY BROADSIDE: David Hughes/Stanley Plumly Out of Body

Illustrated broadside of Stan Plumly's poem "Out of Body" by artist David Hughes. 2011 Giclee print on archival paper.

POETRY BROADSIDE: Hero Design/Elizabeth Arnold Monster 1

First illustrated broadside of Elizabeth Arnold's poem "Monster" from "Effacement" (a book-length sequence of poems) by artist/desiger Hero Design. 2011 screenprint on archival paper.

POETRY BROADSIDE: Hero Design/Elizabeth Arnold Monster 2

Second illustrated broadside of Elizabeth Arnold's poem "Monster" from "Effacement" (a book-length sequence of poems) by artist/desiger Hero Design. 2011 screenprint on archival paper.

POETRY BROADSIDE: Hero Design/Elizabeth Arnold Monster 3

Third illustrated broadside of Elizabeth Arnold's poem "Monster" from "Effacement" (a book-length sequence of poems) by artist/desiger Hero Design. 2011 screenprint on archival paper.

POETRY BROADSIDE: John Foster/Joshua Weiner Cloak

Illustrated broadside of Joshua Weiner's poem "Cloak" by artist/designer John Foster. 2011 screenprint on archival paper.

POETRY BROADSIDE: John Foster/Joshua Weiner Hanging Mobile

Illustrated broadside of Joshua Weiner's poem "Hanging Mobile" by artist/desiger John Foster. 2011 screenprint on archival paper.

POETRY BROADSIDE: John Foster/Joshua Weiner Song for Thom Gunn

Illustrated broadside of Joshua Weiner's poem "Song for Thom Gunn" by artist/designer John Foster. 2011 screenprint on archival paper.

POETRY BROADSIDE: Tim Gough/Jehanne Dubrow Chernobyl Year

Illustrated broadside of Jehanne Dubrow's poem "Chernobyl Year" by artist/desiger Tim Gough. 2011 screenprint on archival paper.

POETRY BROADSIDE: Tim Gough/Jehanne Dubrow Eastern Bloc

Illustrated broadside of Jehanne Dubrow's poem "Eastern Bloc" by artist/desiger Tim Gough. 2011 screenprint on archival paper.

POETRY BROADSIDE: Tim Gough/Jehanne Dubrow Tea

Illustrated broadside of Jehanne Dubrow's poem "Tea" by artist/desiger Tim Gough. 2011 screenprint on archival paper.

Portfolios: Artists’ Series from the Collection of the University of Maryland

Essays by Lili Corbus Bezner, Steven S. Epstein, Diane Johnson, Carolyn Laray, Simon Taylor, Jessie Moser Ward; introduction by Cheryle Harper; preface by Vicki C. Wright, 1986. 48 pp. Published by The Art Gallery, University of Maryland.

Portraits of a Sacred Maya Cave: Photographs of Naj Tunich, Guatemala

Text by Andrea Stone and Chip Stone, 1990. 9 pp. Published by the University of Wisconsin System for the UWM Art Museum.

Possible Futures: Science Fiction Art From The Frank Collection: Re-Reading Science Fiction Art.

Foreword by Terry Gips. Contributors include Jane & Howard Frank, Dorit Yaron, Elizabeth M. Tobey, Greg Metcaf, Maria Day, Dabrina Taylor. Edited by Dorit Yaron, 2000. 96 pp. Published by The Art Gallery, University of Maryland.

Power to the People: The Influence of Popular Culture on Contemporary Art.

featuring the Collection of The Art Gallery, University of Maryland. Works illustrated: Andy Warhol’s Athlete series, Larry Rivers Boston Massacre print series, R.B. Kitaj, Mel Ramos, Patrick Caulfield, and Cuban revolution posters. Published by The Art Gallery, University of Maryland, 2008, 16 pp.

Ralston Crawford: Photographs/Art and Process

Essays by Edith A. Tonelli and John Gossage, 1983. 72 pp. Published by The Art Gallery, University of Maryland.

Reframing Andy Warhol: Constructing American Myths, Heroes, and Cultural Icons.

Catalogue by Wendy Grossman. 1998. 46 pp. Published by The Art Gallery, University of Maryland.

Russian Constructivist Roots: Present Concerns

Forward by Kimberly Gladfelter; Curator’s statement by Diane Beale; Essays by Jane A. Sharp, Konstantin Akinsha and Regina Khidekel 1997. 61 pp. Published by The Art Gallery, University of Maryland.

Search for Innocence: Primitive and Primitivistic Art of the 19th Century

Essay by George Levitine; text and catalogue by Melinda Curtis, 1975. 130 pp. Published by the Department of Art and The Art Gallery, University of Maryland.

Selections from the Collection of Jim and Danielle Sotet

Introduction by Claudia DeMonte; essay by Danielle and Jim Sotet, 1982. 8 pp. Published by The Art Gallery, University of Maryland.

Significant Losses: Artists Who Have Died from AIDS

Foreword by Terry Gips, essays by Bradley Spence, essay by Thomas W. Sokolowski, 1994. 42 pp. Published by The Art Gallery, University of Maryland.

Some Comments on the Art of Pierre Soulages

Text by George Levitine, 1972. 16 pp. Published by the Department of Art and The Art Gallery, University of Maryland.

Soulages: Paintings Since 1963

James Johnson Sweeney, 1968. 31 pp. Published by M. Knoedler & Co., Inc.

Sources: Multicultural Influences on Contemporary African American Sculptors

Foreword by Terry Gips; contributions by Stephanie Pogue, Tritobia H. Benjamin, David C. Driskell, Curtia James, Robert L. Hall, 1993. 17 pp. Published by The Art Gallery, University of Maryland.

Successions: Prints by African American Artists from the Jean and Robert Steele Collection

Introduction by David C. Driskell, Collector’s Statement from Jean and Robert Steele, and essay by Adrienne Childs, exhibition curator, 2002. 48 pp. Published by The Art Gallery, University of Maryland.

Introduction by Terry Gips. Essays by Wendy Grossman, Margaret Wilkerson, Renée Ater, Mary Jo Aagerstoun, Kimberly Gladfelter and Martha Bari. 20pp. Published by The Art Gallery, University of Maryland.

The 1987 Art Faculty Exhibition

Essays by John Peters-Campbell with preface by James Gilbert and introduction by Keith Morrison, 1987. 52 pp. Published by The Art Gallery, University of Maryland.

The Frank Collection: A Showcase of the World’s Finest Fantastic Art

By Jane and Howard Frank. Foreward by John C. Berkey and Afterward by Don Maitz. Published by Paper Tiger, 1999.

The Heln D. Ling Collection of Chinese Ceramics

Edited and forward by Jason C. Kuo. Essays by Martha Ann Bari and Fan Dongqing. 92pp. Published by The University of Washington Press.

The Spirit of the Thirties: Selections from the University of Maryland Art Gallery

Text and Catalogue by Edith A. Tonelli, 1982. 43 pp. Published by The Art Gallery, University of Maryland.

Traditional Forms and Modern Africa: West African Art at the University of Maryland

Catalogue by Sharon F. Patton, with preface by Arthur R. Blumenthal, 1983. 40 pp. Published by The Art Gallery, University of Maryland.

TRAJECTORIES Marking Time in Contemporary Art

Exhibition essay and interviews with artists Kelley Bell, Mandy Burrow, Lynn Cazabon, Cindy Rehm, Steven H. Silberg, and Jason Sloan. Essay by Jennifer E. Quick.

Willem de Looper: A Retrospective Exhibition 1966 - 1996

Essay by Howard Risatti; catalogue by Terry Gips, 1997. 79 pp. Published by The Art Gallery, University of Maryland.

Women Artists in Washington Collection

Essays by Josephine Withers and Toby Quitslund, 1979. 144 pp. Published by The Art Gallery, University of Maryland.

Yuriko Yamaguchi: Interdigitate

Color exhibition brochure, essay by Rex Weil.