Christopher Bartel: The Skinwalker Ranch Portfolio

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council. 

Christopher Bartel: The Skinwalker Ranch Portfolio is a free, online exhibition of photographic works by Kansas-born artist Christopher Bartel. It will be on display February 18 - June 25, 2021.

This exhibition features 80 works by Bartel, drawn from the Art Gallery's The Skinwalker Ranch Series, 2010-2016 digital photo archive. Self-taught, Bartel's photography picks up where icons like William Henry Jackson, Carleton Watkins, and Ansel Adems left off. The work operates as an homage to the time-honored tradition of documentnting the American West. In addition, it offers a fresh outlook on how climate, rural life, ecology and tribal culture interact with one another in the current era. 

Bartel's photography in also highly personal and autobiographical. It focuses in large part on his experience both working and living at Skinwalker Ranch, a remote property in northeastern Utah with a documented history of strange and unexplainable phenomenon that spans well over two centuries. The vast property takes its name from the Navajo word “skinwalker,” which refers to a shapeshifting entity. In recent years, the ranch has also reportedly been home to past U.S. Government-funded research projects that delved into the supernatural. 

The Skinwalker Ranch Portfolio is organized by Taras W. Matla, associate director. Major support is provided by the Dorothy and Nicholas Orem Exhibition Fund. Generous support is provided by the Maryland State Arts Council.