The Imaginary 20th Century

University of Maryland Art Gallery Wednesday, September 5, 2018 - November 30, 2018 University of Maryland Art Gallery

In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council.

Event Dates

Wednesday, September 5, 2018 - November 30, 2018

Wednesday, Sep 05, 2018 11:00 am

09/05/18 11:00:00 09/05/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Sep 06, 2018 11:00 am

09/06/18 11:00:00 09/06/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Sep 07, 2018 11:00 am

09/07/18 11:00:00 09/07/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Sep 10, 2018 11:00 am

09/10/18 11:00:00 09/10/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Sep 11, 2018 11:00 am

09/11/18 11:00:00 09/11/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Sep 12, 2018 11:00 am

09/12/18 11:00:00 09/12/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Sep 13, 2018 11:00 am

09/13/18 11:00:00 09/13/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Sep 14, 2018 11:00 am

09/14/18 11:00:00 09/14/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Sep 17, 2018 11:00 am

09/17/18 11:00:00 09/17/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Sep 18, 2018 11:00 am

09/18/18 11:00:00 09/18/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Sep 19, 2018 11:00 am

09/19/18 11:00:00 09/19/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Sep 20, 2018 11:00 am

09/20/18 11:00:00 09/20/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Sep 21, 2018 11:00 am

09/21/18 11:00:00 09/21/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Sep 24, 2018 11:00 am

09/24/18 11:00:00 09/24/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Sep 25, 2018 11:00 am

09/25/18 11:00:00 09/25/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Sep 26, 2018 11:00 am

09/26/18 11:00:00 09/26/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Sep 27, 2018 11:00 am

09/27/18 11:00:00 09/27/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Sep 28, 2018 11:00 am

09/28/18 11:00:00 09/28/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Oct 01, 2018 11:00 am

10/01/18 11:00:00 10/01/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Oct 02, 2018 11:00 am

10/02/18 11:00:00 10/02/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Oct 03, 2018 11:00 am

10/03/18 11:00:00 10/03/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Oct 04, 2018 11:00 am

10/04/18 11:00:00 10/04/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Oct 05, 2018 11:00 am

10/05/18 11:00:00 10/05/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Oct 08, 2018 11:00 am

10/08/18 11:00:00 10/08/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Oct 09, 2018 11:00 am

10/09/18 11:00:00 10/09/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Oct 10, 2018 11:00 am

10/10/18 11:00:00 10/10/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Oct 11, 2018 11:00 am

10/11/18 11:00:00 10/11/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Oct 12, 2018 11:00 am

10/12/18 11:00:00 10/12/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Oct 15, 2018 11:00 am

10/15/18 11:00:00 10/15/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Oct 16, 2018 11:00 am

10/16/18 11:00:00 10/16/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Oct 17, 2018 11:00 am

10/17/18 11:00:00 10/17/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Oct 18, 2018 11:00 am

10/18/18 11:00:00 10/18/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Oct 19, 2018 11:00 am

10/19/18 11:00:00 10/19/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Oct 22, 2018 11:00 am

10/22/18 11:00:00 10/22/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Oct 23, 2018 11:00 am

10/23/18 11:00:00 10/23/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Oct 24, 2018 11:00 am

10/24/18 11:00:00 10/24/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Oct 25, 2018 11:00 am

10/25/18 11:00:00 10/25/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Oct 26, 2018 11:00 am

10/26/18 11:00:00 10/26/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Oct 29, 2018 11:00 am

10/29/18 11:00:00 10/29/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Oct 30, 2018 11:00 am

10/30/18 11:00:00 10/30/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Oct 31, 2018 11:00 am

10/31/18 11:00:00 10/31/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Nov 01, 2018 11:00 am

11/01/18 11:00:00 11/01/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Nov 02, 2018 11:00 am

11/02/18 11:00:00 11/02/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Nov 05, 2018 11:00 am

11/05/18 11:00:00 11/05/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Nov 06, 2018 11:00 am

11/06/18 11:00:00 11/06/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Nov 07, 2018 11:00 am

11/07/18 11:00:00 11/07/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Nov 08, 2018 11:00 am

11/08/18 11:00:00 11/08/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Nov 09, 2018 11:00 am

11/09/18 11:00:00 11/09/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Nov 12, 2018 11:00 am

11/12/18 11:00:00 11/12/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Nov 13, 2018 11:00 am

11/13/18 11:00:00 11/13/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Nov 14, 2018 11:00 am

11/14/18 11:00:00 11/14/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Nov 15, 2018 11:00 am

11/15/18 11:00:00 11/15/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Nov 16, 2018 11:00 am

11/16/18 11:00:00 11/16/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Nov 19, 2018 11:00 am

11/19/18 11:00:00 11/19/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Nov 20, 2018 11:00 am

11/20/18 11:00:00 11/20/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Nov 21, 2018 11:00 am

11/21/18 11:00:00 11/21/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Nov 22, 2018 11:00 am

11/22/18 11:00:00 11/22/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Nov 23, 2018 11:00 am

11/23/18 11:00:00 11/23/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Monday, Nov 26, 2018 11:00 am

11/26/18 11:00:00 11/26/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Tuesday, Nov 27, 2018 11:00 am

11/27/18 11:00:00 11/27/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Wednesday, Nov 28, 2018 11:00 am

11/28/18 11:00:00 11/28/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Thursday, Nov 29, 2018 11:00 am

11/29/18 11:00:00 11/29/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false
Friday, Nov 30, 2018 11:00 am

11/30/18 11:00:00 11/30/18 16:00:00 America/New_York The Imaginary 20th Century In 1901, a young woman, while traveling in Europe, selected four men to seduce her, each with a version of the new century. At least this is how the legend comes down to us. Inevitably, the future spills off course. Gradually the reader discovers that Carrie’s misadventures with her suitors were implicated in her uncle’s world of business and espionage. For over forty years, Harry Brown was hired to erase crimes for the oligarchs of Los Angeles and the banking industry of New York. A pioneer in how to troll, hack, and manipulate the truth for his clients, Harry often used American myths of progress and future technologies in the cover-ups. As he liked to say, fiction is more believable than fact, and espionage is a form of seduction. In 1917, Harry began to assemble a massive archive of his niece’s life and legend. Completed in 1936, the archive records his obsession with Carrie, and also the various moments in twentieth-century world history when he intervened. The remains of the archive were unearthed in 2004 in Los Angeles. Thereafter the federal government allowed a few scholars to study and decode it. Within the labyrinth of the archive—the illustrations that Harry clipped, the news stories with which he amused himself, the intimacies from Carrie’s life—there were classified government documents that his agents had intercepted. They reveal President Woodrow Wilson's secret policies toward organized labor and toward the intervention by US Marines in the Mexican Revolution. Harry also collected technologies useful for espionage, such as the Sound Scriber and early forms of audiotape. At last, after many obstacles, “Carrie’s archive” has been entirely declassified. This exhibtion is curated by Margo Bistis and Norman M. Klein, with assistance from Abby R. Eron, Registrar and Curatorial Assistant at the University of Maryland Art Gallery. Funding for The Imaginary 20th Century was provided by the ZKM / Center for Art and Media Karlsruhe and the Graham Foundation for Advanced Studies in the Fine Arts. Additional funding was provided by a grant from the Maryland State Arts Council. University of Maryland Art Gallery false